Much of my recent thinking revolves around how my work might engage audiences from a somatic perspective. I’m less interested in polished showcases than I am in creating conditions for presence, environments where audience and performer co-exist in states of attention and reciprocity.
To this end, I’m drawn to immersive and participatory formats like sound walks or site-responsive performances that open up listening as a shared, physical act. My work does not aim to deliver a narrative or resolution. Rather, it invites audiences into a sensorial space, one shaped by temporality and embodied awareness.