As I approach graduation, I’ve been reflecting on how my artistic practice can evolve beyond university. Collaboration remains central to my methodology, particularly with artists whose work is grounded in movement and embodied thinking. Dancers, choreographers, and physical performers bring perspectives that resonate deeply with my own approach to sound and performance as interconnected, sensory experiences.
For future partnerships, I’ve reached out to institutions such as London Contemporary Dance School, Trinity Laban Conservatoire, and the Royal Central School of Speech and Drama. These ongoing collaborations have been both generative and encouraging, opening possibilities for my work to engage with broader audiences and interdisciplinary circles.
Currently, I am collaborating with students from the BA Performance: Design and Practice course at Central Saint Martins on “We Move / We See“, a project that brings together choreography, experimental costume design, and devised performance. The project investigates how movement, sound, and visual design can interact to create expressive, immersive experiences. It offers a platform for shared authorship and cross-disciplinary exploration. It will culminate in a public performance at the Platform Theatre.